He also served as the main songwriter, producer and instrumentalist on these albums. In the mid-80s, Miller attempted a solo career as a funk/R&B singer, with the albums Suddenly (1983) and Marcus Miller (1984). He won the 'Most Valuable Player' award (given by NARAS to recognize studio musicians) three years in a row and was subsequently awarded 'player emeritus' status and retired from eligibility. John, Aretha Franklin, Elton John, Joe Walsh, Jean-Michel Jarre, Grover Washington Jr., Donald Fagen, Bill Withers, Bernard Wright, Kazumi Watanabe, Chaka Khan, LL Cool J and Flavio Sala. He has played bass on over 500 recordings, appearing on albums by such artists as Michael Jackson, BeyoncГ©, Herbie Hancock, Mariah Carey, Eric Clapton, The Crusaders, Wayne Shorter, McCoy Tyner, Frank Sinatra, George Benson, Dr. He co-wrote Aretha Franklin's 'Jump To It' along with Luther Vandross. He was a member of the Saturday Night Live band between 1979-1981. During that time he also arranged and produced frequently. вЂњBut I was happy that he did.Miller spent approximately 15В years performing as a session musician. The only singer with the chops to attempt вЂњA House Is Not a HomeвЂќ? Aretha Franklin.ДЄs Warwick put it in her autobiography, VandrossвЂ™ version was вЂњso beautifully done, I was at a loss for words.вЂќ вЂњI told him after the show that he really did not have to show off that much,вЂќ she added. Vandross died in 2005, and a tribute album dedicated to him was released two months after.

VandrossвЂ™ remake of вЂњA House Is Not a HomeвЂќ was so thorough that nearly every singer of note who subsequently tackled the song - Ron Isley, Jaheim, Ne-Yo - has attempted to match his version. Vandross ends the song with one final show of power, rising from the bottom of the scale through the full extent of his range on the word вЂњme.вЂќ The camera cuts to Warwick, who appears to be concealing a tear. Warwick, seated near the stage, alternates between joyous laughter and looks of jaw-dropping astonishment. Many singers today have only worked on their high notes, but Vandross is equally impressive on the low end of his register, scraping the bottom in the line вЂњeven when thereвЂ™s nothing there but gloomвЂќ to emphasize his devastation.Д®ach of VandrossвЂ™ melodic deviations is greeted with enthusiasm by the crowd. His voice is flexible enough to splinter a single вЂњnoвЂќ into six or eight parts and transform вЂњloveвЂќ into a colorful spray of falsetto. HeвЂ™s such an adept singer he can insert wildly long ad-libs - вЂњgoodnightвЂќ becomes вЂњgoodnight, good morning, good afternoon, hello, bye-bye baby, yeah yeah yeahвЂќ - and still find his way back to the beat.

On stage in 1986, itвЂ™s remarkable the way Vandross is able to change the structure of a familiar song. HeвЂ™s supported by rim-shot drums and thick bass he also pivots into liquid funk during the eruptive outro, a vocal showcase that later served as the basis for вЂњSlow Jamz,вЂќ a major hip-hop hit in 2003 for Kanye West, Twista and Jamie Foxx. In contrast, VandrossвЂ™ imperious pleading never disappears beneath the orchestra. In this case, thatвЂ™s a detriment sometimes it sounds like Warwick is fighting to be heard above the strings and brass. WarwickвЂ™s rendition was weighed down by the pop-opera scoring that often graced Bacharach and David songs in the Sixties. He was also smart to change the arrangement. RS Recommends: 5 Devices You Need to Set Up Your Smart Home His version is seven minutes long - probably not an option for Warwick in 1964 - and it crawls. Vandross opened it up and stretched it out. WarwickвЂ™s version feels rushed, but this is a song that needs space to maximize its drama. One of his innovations was to change the songвЂ™s pacing. Vandross, a vocal fan of Warwick who collaborated with her during the Eighties, first released his cover of вЂњA House Is Not a HomeвЂќ in 1981.

Vandross was not intimidated - by the end of his performance, the crowd was roaring, and Warwick was wiping away a tear. Most notably, the crowd contained Dionne Warwick, the Entertainer of the Year honoree, who had released the Burt BacharachвЂ“Hal David composition вЂњA House Is Not a HomeвЂќ as a single 24 years before. Janet Jackson was there, already a superstar thanks to her recently released Control, as was Anita Baker, a high-flying vocalist whose new Rapture album was well on its way to 5 million copies sold. Luther Vandross was facing a formidable crowd when he took the stage to perform вЂњA House Is Not a HomeвЂќ at the 1986 NAACP Image Awards.

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